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Jm Stash
France
Title
Insolation #2
Files
The intention of the work is to bring design into a raw natural environment, where it is not expected.
This work is a reflection on our perception of shapes in space, here the moving triangulation defines the code art, this design fits into a well-known and immensely static universe, the mountains. The installation leads everyone to a natural reflection born of our conditioning: is it something I know, that my brain recognizes. Is it organic? Is it plastic pollution or something else? We have to name it. While there is no doubt about the visual and sound environment in the background, we can let ourselves go without worrying about recognition.Category
Motion Picture
Date
March, 2020
Through our perception of forms in space, I develop the concept of Code Art, the mesh of my research, born from a succession of invisible codes, algorithms and the principle of contraction-expansion to animate the work in a perpetual, generative, hypnotic evolution.
The Code Art favours artistic situations that give rise to a natural reflection in each one of us, born from our education, our personal history, our conditioning, stimulating our unconscious to bring out a double vision.
I establish a link between the digital and the organic, between code and matter.
Raw or superimposed, primitive figures, contemporary structures and complex geometries emerge in my creations.
Through our perception of forms in space, I develop the concept of Code Art, the mesh of my research, born from a succession of invisible codes, algorithms and the principle of contraction-expansion to animate the work in a perpetual, generative, hypnotic evolution.
The Code Art favours artistic situations that give rise to a natural reflection in each one of us, born from our education, our personal history, our conditioning, stimulating our unconscious to bring out a double vision.
I establish a link between the digital and the organic, between code and matter.
Raw or superimposed, primitive figures, contemporary structures and complex geometries emerge in my creations.
Through our perception of forms in space, I develop the concept of Code Art, the mesh of my research, born from a succession of invisible codes, algorithms and the principle of contraction-expansion to animate the work in a perpetual, generative, hypnotic evolution.
The Code Art favours artistic situations that give rise to a natural reflection in each one of us, born from our education, our personal history, our conditioning, stimulating our unconscious to bring out a double vision.
I establish a link between the digital and the organic, between code and matter.
Raw or superimposed, primitive figures, contemporary structures and complex geometries emerge in my creations.